Now that SOE Live is over with, we are finalizing plans in regards to SBRPG2 and 7dRPG. 7dRPG will become the core-engine of SBRPG2, and the steampunk elements will be moved off into a steampunk world book. We envision 7dRPG as being the licensed part of the game, just like anyother roleplaying system license. People will be able to build world books and other fun stuff off the 7dRPG core. More on this later.
SBRPG2 will be its old 'create a world and play' self again, although using 7dRPG as the core of the game. This will be a showcase game with support for lots of cool stuff, with a more generic focus, but still supporting all the crazy and fun stuff we had in the original SBRPG way back when.
We have a number of worldbooks in the works too for specific games and worlds we would like to see, with a lot of this coming from our playtesting and other work.
Expect the events of the previous four days to have a huge impact on how both 7dRPG and SBRPG2 will look, the pen-and-paper world is shifting, and we have to stay ahead of the curve. Oh yes, nothing is staying the same, we need to push the envelope to compete with what we just saw, and yes, we plan on competing with all that. Very cool stuff, and an exciing time to be a RPG designer, either PnP or MMO.
Showing posts with label 7dRPG. Show all posts
Showing posts with label 7dRPG. Show all posts
Monday, August 5, 2013
Thursday, July 25, 2013
A Couple Pages Beyond "The End"
We had a game fly off into the abyss last night. We were playtesting 7dRPG's "Classic Fantasy" rule set, and the sesion before had concluded a storyline where George escapes from an evil kingdom which basically enslaved the player's group and forced them to do their dungeoning for them. Really fun stuff, the escape was classic, evasion, sneaking around town, and getting the heck out of Dodge. Well, last night's session picked up right after the party escaped the final checkpoint, and arrived in the new lands. And then....
Nothing.
The game fell off into the abyss. It felt like trying to continue a story off in the blank pages beyond "the end" in a novel. Yes, I had done a little prep work, but I knew of the place they were going to, I had a rough idea of the map, some general ideas of the difficulties of getting there, along with some adventure hooks they could pick up. But the overwhelming feeling of 'you've escaped, now what?' hit the both of us, and there was no compelling reason to play. You've won, you've escaped, you did it - roll credits and play the cool music.
Now if the story was like some of our earlier play thoughs, it would have been different. In earlier games, we had larger meta-games we ran on top of the rules, where how you ran your group of adventurers mattered, and you actually had to go out and recruit to meet your party's needs. This game was purely story, and once that was accomplished, anything else felt like it couldn't compare. We thought we were setting up a larger system to play something beyond the roles, but in the end, it didn't work out, and we ended up completing a one-shot.
Did we have support for the larger meta-game? To be honest, no, we didn't. We envisioned the captured players to be a part of a Game of Thrones sort of conflict, with noble houses, lands under siege, infighting with royals and villains, and all sorts of other cool stuff going on. We don't have the meta-game rules for that sort of conflict, and honestly, this sort of thing seems better suited for a dedicated world-book where you can take the time, design a world around it, and do it right.
It is an interesting problem, and one with our background of SBRPG, one we are better suited at to solve. Many pen-and-paper games are happy with providing a set of generic dungeon or conflict resolution rules, and it typically takes them 600+ pages to get that done. Yes, we did that as well with SBRPG1, a RPG the size of a phone-book.
The new thinking is a thin-and-light game 'client' and then support the game with dedicated world-books that have larger meta-games to play with the rules. Manage a kingdom, play a private eye, be a space merchant - the world-books are the place this happens and where the meta-game is laid out. SBRPG's meta-game was the faction system, and this is a core piece of the base game we want to preserve and enhance. However, the world-specific meta-games is where the fun and addiction happens; and with a referee involved, things become unpredictable and insanely fun.
Many pen-and-paper games fall off the abyss because they don't do anything beyond just 'replay a story' like a DVD player. Try and go outside that box, or off of that DVD, and the referee has to start improvising more and more. Pretty soon, you run out of improvisation, especially if your source material was limited. If you have rich source material, such as the entire Star Wars galaxy, you can possibly never run out of improvisational material (Hollywood does not apply to this, they reboot far too frequently). Start with just an idea, such as 'escape from the evil kingdom' and you will run out quickly. Hence the abyss.
What do you do when your game goes into the abyss? You re-tool, figure out 'what is this game about?' and focus the game back onto the core idea. For ours, it was escaped nobles and the revenge upon the bad guys. We will probably have to shelve this game and get back to it when we have a world-book and meta-game to support this. Otherwise, it will be 100% improvised content, with no real 'game' behind the action to say 'what comes next?' Of course, the referee is always there to say 'what happens next' but the referee shouldn't have to do everything - there needs to be that game behind the game that makes things interesting, that surprises even the referee, and that players can become good at and focus on, no matter what is happening on the roleplaying side of things at the moment.
Nothing.
The game fell off into the abyss. It felt like trying to continue a story off in the blank pages beyond "the end" in a novel. Yes, I had done a little prep work, but I knew of the place they were going to, I had a rough idea of the map, some general ideas of the difficulties of getting there, along with some adventure hooks they could pick up. But the overwhelming feeling of 'you've escaped, now what?' hit the both of us, and there was no compelling reason to play. You've won, you've escaped, you did it - roll credits and play the cool music.
Now if the story was like some of our earlier play thoughs, it would have been different. In earlier games, we had larger meta-games we ran on top of the rules, where how you ran your group of adventurers mattered, and you actually had to go out and recruit to meet your party's needs. This game was purely story, and once that was accomplished, anything else felt like it couldn't compare. We thought we were setting up a larger system to play something beyond the roles, but in the end, it didn't work out, and we ended up completing a one-shot.
Did we have support for the larger meta-game? To be honest, no, we didn't. We envisioned the captured players to be a part of a Game of Thrones sort of conflict, with noble houses, lands under siege, infighting with royals and villains, and all sorts of other cool stuff going on. We don't have the meta-game rules for that sort of conflict, and honestly, this sort of thing seems better suited for a dedicated world-book where you can take the time, design a world around it, and do it right.
It is an interesting problem, and one with our background of SBRPG, one we are better suited at to solve. Many pen-and-paper games are happy with providing a set of generic dungeon or conflict resolution rules, and it typically takes them 600+ pages to get that done. Yes, we did that as well with SBRPG1, a RPG the size of a phone-book.
The new thinking is a thin-and-light game 'client' and then support the game with dedicated world-books that have larger meta-games to play with the rules. Manage a kingdom, play a private eye, be a space merchant - the world-books are the place this happens and where the meta-game is laid out. SBRPG's meta-game was the faction system, and this is a core piece of the base game we want to preserve and enhance. However, the world-specific meta-games is where the fun and addiction happens; and with a referee involved, things become unpredictable and insanely fun.
Many pen-and-paper games fall off the abyss because they don't do anything beyond just 'replay a story' like a DVD player. Try and go outside that box, or off of that DVD, and the referee has to start improvising more and more. Pretty soon, you run out of improvisation, especially if your source material was limited. If you have rich source material, such as the entire Star Wars galaxy, you can possibly never run out of improvisational material (Hollywood does not apply to this, they reboot far too frequently). Start with just an idea, such as 'escape from the evil kingdom' and you will run out quickly. Hence the abyss.
What do you do when your game goes into the abyss? You re-tool, figure out 'what is this game about?' and focus the game back onto the core idea. For ours, it was escaped nobles and the revenge upon the bad guys. We will probably have to shelve this game and get back to it when we have a world-book and meta-game to support this. Otherwise, it will be 100% improvised content, with no real 'game' behind the action to say 'what comes next?' Of course, the referee is always there to say 'what happens next' but the referee shouldn't have to do everything - there needs to be that game behind the game that makes things interesting, that surprises even the referee, and that players can become good at and focus on, no matter what is happening on the roleplaying side of things at the moment.
Sunday, July 21, 2013
Epic Characters are Broken Characters
One of the areas of most roleplaying games that makes we wonder is the design of epic-level characters. These are typically high-level characters in the last 25% of the game's progression path. These are the earth-shaking superheroes of the world, iconic characters in their own right, and ideally, what players strive for their characters to become. Too often, game designers are content to just let high-level characters to be broken, the rules not tested or designed for high-level play, or they let the game's math drift off into this area where the number ranges are so high the original dice mean little. What's the point of rolling 1d20+30, when most tasks in the game are 'beat a 20-25'?
D&D4 was notoriously playtested less than it should have at the higher levels, the game fell victim to multiple cheats, stun locks, and other cheeseball tactics that spawned endless errata. Our group hit multiple issues with high-level balance, some classes falling off the power curve, and changes invalidating builds far too often, and it hurt our group's interest in the game. To be fair, the game was designed to have high-level play, the rules and monsters support it - it just wasn't playtested that well. The fact they needed to re-balance monsters constantly tells you something, they never found that sweet spot in play until the game's end.
Most of the 3.x D&D games, including Pathfinder, cease to be fun after level 7-8 or so, and a lot of players in our groups shared that view. The games devolve into abstract high-level math, and around this point, wizards and other spell casters take over the game, so the pure fighting class players lose interest first, followed by the caster players later on. The game just wasn't designed for high-level play, and extending the system just leads to an escalation of numbers to the point of absurdity. The old D&D 3.x Epic Level Handbook has skills and modifiers shooting all the way up to 1d20+100, and at that point, you are so far out of your original dice range things get silly.
Some of the old percentile games never scaled well either, games like Top Secret and Star Frontiers had percentile ability scores that were hard to figure out when they got into epic ranges. In Star Frontiers, if a robot has a strength of 500%, his melee skills would be something like 250% + 10% times skill level of 1 to 6. How does rolling a 205% chance to hit work? Similarly, characters could have scores of 110%, 130%, or more with some experience expenditure focused on one area.
MMOs hit this problem with no end in sight. In World of Warcraft, you could have a 60th level character doing hundreds of points of damage per hit, and then a 90th level character doing tens of thousands of points of damage in a single hit. Compare this to a first level character doing 1-10 points per hit and you'll get a good sense of scale. Some day, we will have DPS ratings being calculated in the millions of points of damage in a single hit. There comes a point where everything becomes relative, and the numbers matter little. In a way, this hasn't changed much from the old SNES RPG days where a character takes 9999 damage, the maximum they support, and dies - although the numbers have gotten much larger.
Okay, yeah, complaining is nice, but what do you do about it? A lot of these games do not understand that high level play should be different than low level play - and not just by the size of the numbers. There comes a point in every game where the game needs to change, and the game could change again at another point. World of Warcraft used to understand this, and in some games like Everquest, it still applies. In these games, certain classes have game-changing powers unlocked at certain levels, and the class' role changes. Where MMOs fail in this is that the gameplay does not change. typically, it is another dungeon with slightly more powerful monsters - maybe some new special powers are used on your group.
A game needs to know the breakpoints where the game changes, and support this. D&D4 tried to do this with tiers of play, where they tried to set expectations of what characters at different tiers of play should be doing and going. It led to a strange situation where 10th level characters were out plane-hopping, and this hurt the dedicated worlds, such as Eberron, Dark Sun, and Faerun. The game did set expectations well, but in reality, it didn't really do too much more than offer some special tier classes and more powerful monsters.
The math has to work too, and you have to set caps you can live with. If you have a game based on a 2d6 skill roll, what does it mean to have a +10 modifier? Epic doesn't have to mean broken math, especially when you take the time to design that high level experience. It is a different thing if you intend your game to break at high levels, that is a different thing, and also something we used for SBRPG1. An open-ended game where the math will break is a different beast than a close-ended game where the math breaks at the high levels. In the latter, the designers should have tweaked that high-level play experience to b fun without broken and strange math.
A lot to think about today, and also issues we are hitting in the design of 7dRPG.
D&D4 was notoriously playtested less than it should have at the higher levels, the game fell victim to multiple cheats, stun locks, and other cheeseball tactics that spawned endless errata. Our group hit multiple issues with high-level balance, some classes falling off the power curve, and changes invalidating builds far too often, and it hurt our group's interest in the game. To be fair, the game was designed to have high-level play, the rules and monsters support it - it just wasn't playtested that well. The fact they needed to re-balance monsters constantly tells you something, they never found that sweet spot in play until the game's end.
Most of the 3.x D&D games, including Pathfinder, cease to be fun after level 7-8 or so, and a lot of players in our groups shared that view. The games devolve into abstract high-level math, and around this point, wizards and other spell casters take over the game, so the pure fighting class players lose interest first, followed by the caster players later on. The game just wasn't designed for high-level play, and extending the system just leads to an escalation of numbers to the point of absurdity. The old D&D 3.x Epic Level Handbook has skills and modifiers shooting all the way up to 1d20+100, and at that point, you are so far out of your original dice range things get silly.
Some of the old percentile games never scaled well either, games like Top Secret and Star Frontiers had percentile ability scores that were hard to figure out when they got into epic ranges. In Star Frontiers, if a robot has a strength of 500%, his melee skills would be something like 250% + 10% times skill level of 1 to 6. How does rolling a 205% chance to hit work? Similarly, characters could have scores of 110%, 130%, or more with some experience expenditure focused on one area.
MMOs hit this problem with no end in sight. In World of Warcraft, you could have a 60th level character doing hundreds of points of damage per hit, and then a 90th level character doing tens of thousands of points of damage in a single hit. Compare this to a first level character doing 1-10 points per hit and you'll get a good sense of scale. Some day, we will have DPS ratings being calculated in the millions of points of damage in a single hit. There comes a point where everything becomes relative, and the numbers matter little. In a way, this hasn't changed much from the old SNES RPG days where a character takes 9999 damage, the maximum they support, and dies - although the numbers have gotten much larger.
Okay, yeah, complaining is nice, but what do you do about it? A lot of these games do not understand that high level play should be different than low level play - and not just by the size of the numbers. There comes a point in every game where the game needs to change, and the game could change again at another point. World of Warcraft used to understand this, and in some games like Everquest, it still applies. In these games, certain classes have game-changing powers unlocked at certain levels, and the class' role changes. Where MMOs fail in this is that the gameplay does not change. typically, it is another dungeon with slightly more powerful monsters - maybe some new special powers are used on your group.
A game needs to know the breakpoints where the game changes, and support this. D&D4 tried to do this with tiers of play, where they tried to set expectations of what characters at different tiers of play should be doing and going. It led to a strange situation where 10th level characters were out plane-hopping, and this hurt the dedicated worlds, such as Eberron, Dark Sun, and Faerun. The game did set expectations well, but in reality, it didn't really do too much more than offer some special tier classes and more powerful monsters.
The math has to work too, and you have to set caps you can live with. If you have a game based on a 2d6 skill roll, what does it mean to have a +10 modifier? Epic doesn't have to mean broken math, especially when you take the time to design that high level experience. It is a different thing if you intend your game to break at high levels, that is a different thing, and also something we used for SBRPG1. An open-ended game where the math will break is a different beast than a close-ended game where the math breaks at the high levels. In the latter, the designers should have tweaked that high-level play experience to b fun without broken and strange math.
A lot to think about today, and also issues we are hitting in the design of 7dRPG.
Monday, July 15, 2013
I Search for X....
I was writing through the search rules of 7dRPG the other day, and wondered about the role of searching in role playing games. Now searching is such a common activity, I think it's second only to combat, that is deserves a little attention and thought. First off, what does searching do?
It Slows Up the Game
Haha, yes, I am being sarcastic here. Searching, and the declaration of search takes up a huge amount of time in roleplaying games. This covers the 'golden oldies' of searching, such as:
Take a 20
Two rules were specifically developed in d20 games with this obsessive compulsive disorder in mind, the banal 'take a 20' rule, and 4th Ed's 'passive search' rule. First rule first. 'Take a 20' says 'I take so long at this that I roll every possible result, including a 20' - yes, that says what it means, I sit here rolling again and again until I do it. The Ta20 rule is fundamentally flawed in the following ways:
Binary failure is important! That d20 roll is 'your chance at making it' in the universe, and the roll you make is 'your one shot' - it is that way in combat. Roll bad, and fate does not smile upon you, and you miss the blow, fail the task, and blow it. It's this way in games like Arkham Horror, if your investigator fails a skill check called for on a card, it fails, and you take the negative result and move on. If the skill check is to get past a door that you must absolutely get through, well, either the referee must wing it, the adventure was poorly designed, or the party needs to think of another course of action.
Passive Search
Back to search. D&D4's 'passive search' comes in play now, basically, this is an 'always on' rule that assumes characters are walking along an always 'taking a 10' at every moment of their existence. Any search task with a DC below a character's passive search rating is auto-found without a roll. This eliminates the need for always rolling search rolls every step of the way, and in d20's search paranoid world, is a huge improvement and time saver. The origins of this rule are the same as Ta20, because it assumes characters are forever alert and in a Ta10 state.
Why do we assume the natural state of things is an 'average roll' of 10? Can I assume this in combat? Again, humans love to put order on chaos, and assuming an average roll as the natural state attempts to put some order on the nasty flat-distribution of the d20 die. There always has to be that wild chance of failure, that chance to roll a "1" and totally miss the obvious, and the elimination of the mathematical statistical ruination of the game.
This is not a statistics course, this is a RPG, and your scores and skills matter the 'moment they are called upon.' If your Dwarf in that moment of need rolls a "4" and blows it, he blows it, let's handle the negative consequences and move on. Besides, there is no such thing as an "average roll" with a sample size of one on a flat distribution. Ta10 on a single event, like a search roll of spotting something, is a statistical fallacy, since there would be no average roll on that single event.
Back to Rolling Everything Again?
Without Ta20 and passive search, where are we? Obviously, back to rolling everything again. Yes, searching uncovers huge design flaws in roleplaying games, and especially in classic 'dungeon crawl' fantasy. But I can say paranoid searching in dungeon crawls is part of the fun, and in earlier D&D games, there was no search skill - if you as the player were smart enough to say what you were looking for and where, you found it. The thief's "find traps" skill was always a bit of a genre-break for old-school games anyways, since realistically, everyone searched using the verbal method.
The answer I feel is to eliminate the need for endless searches in these games, and make searching one of those 'special events' again. With a search skill, you will need to aggregate things a lot, one roll to search a room or group of monsters for loot, and then say what you found based on success. One roll on an entire hallway for the party's scout to see if traps or ambushes are found. One roll to check out a room to check for hidden items, secret doors, or other concealed loot. Do not roll for the obvious, and only require a roll for the special. If it has a chance of forking the plot, revealing a danger, or giving out a reward - roll.
While you're at it, support the old-school 'investigative play' method whenever you can. If a character pulls the drawer out, and the player is smart enough to have the character check the bottom of the drawer for an envelope taped to it - give it to them without a roll! That experimentation and creative play should be encouraged, and the dice left on the table to be used for the important stuff.
Lots of game design goodness today, and a whole lot of thoughts to put in the game when the search rules are written out. You will see these come up in the game when we put out the beta, so you shall see these subjects again. In a way, these thoughts apply to many of the skill rolls in the game, so this is quite an important discussion, and gives the game a unique flavor (based on design). Hopefully, this makes you think about when you (as a a referee) call for a search roll, and supporting creative play.
It Slows Up the Game
Haha, yes, I am being sarcastic here. Searching, and the declaration of search takes up a huge amount of time in roleplaying games. This covers the 'golden oldies' of searching, such as:
- "I search the hall ahead for traps."
- "I search the treasure for traps."
- "I search the door for traps."
- "I search the room for traps."
- "We search the monsters for treasure."
- "We search the room for treasure."
- "I look ahead for ambushers."
- "I search the [object] for [thing]."
Take a 20
Two rules were specifically developed in d20 games with this obsessive compulsive disorder in mind, the banal 'take a 20' rule, and 4th Ed's 'passive search' rule. First rule first. 'Take a 20' says 'I take so long at this that I roll every possible result, including a 20' - yes, that says what it means, I sit here rolling again and again until I do it. The Ta20 rule is fundamentally flawed in the following ways:
- It assumes you allow repeated rolls for a task
- It eliminates the possibility of critical failure and triggering the trap (I know this has been ruled out of Ta20, but in reality, it's application is scant)
- It encourages mathematical play instead of creative play
- It ruins pacing
Binary failure is important! That d20 roll is 'your chance at making it' in the universe, and the roll you make is 'your one shot' - it is that way in combat. Roll bad, and fate does not smile upon you, and you miss the blow, fail the task, and blow it. It's this way in games like Arkham Horror, if your investigator fails a skill check called for on a card, it fails, and you take the negative result and move on. If the skill check is to get past a door that you must absolutely get through, well, either the referee must wing it, the adventure was poorly designed, or the party needs to think of another course of action.
Passive Search
Back to search. D&D4's 'passive search' comes in play now, basically, this is an 'always on' rule that assumes characters are walking along an always 'taking a 10' at every moment of their existence. Any search task with a DC below a character's passive search rating is auto-found without a roll. This eliminates the need for always rolling search rolls every step of the way, and in d20's search paranoid world, is a huge improvement and time saver. The origins of this rule are the same as Ta20, because it assumes characters are forever alert and in a Ta10 state.
Why do we assume the natural state of things is an 'average roll' of 10? Can I assume this in combat? Again, humans love to put order on chaos, and assuming an average roll as the natural state attempts to put some order on the nasty flat-distribution of the d20 die. There always has to be that wild chance of failure, that chance to roll a "1" and totally miss the obvious, and the elimination of the mathematical statistical ruination of the game.
This is not a statistics course, this is a RPG, and your scores and skills matter the 'moment they are called upon.' If your Dwarf in that moment of need rolls a "4" and blows it, he blows it, let's handle the negative consequences and move on. Besides, there is no such thing as an "average roll" with a sample size of one on a flat distribution. Ta10 on a single event, like a search roll of spotting something, is a statistical fallacy, since there would be no average roll on that single event.
Back to Rolling Everything Again?
Without Ta20 and passive search, where are we? Obviously, back to rolling everything again. Yes, searching uncovers huge design flaws in roleplaying games, and especially in classic 'dungeon crawl' fantasy. But I can say paranoid searching in dungeon crawls is part of the fun, and in earlier D&D games, there was no search skill - if you as the player were smart enough to say what you were looking for and where, you found it. The thief's "find traps" skill was always a bit of a genre-break for old-school games anyways, since realistically, everyone searched using the verbal method.
The answer I feel is to eliminate the need for endless searches in these games, and make searching one of those 'special events' again. With a search skill, you will need to aggregate things a lot, one roll to search a room or group of monsters for loot, and then say what you found based on success. One roll on an entire hallway for the party's scout to see if traps or ambushes are found. One roll to check out a room to check for hidden items, secret doors, or other concealed loot. Do not roll for the obvious, and only require a roll for the special. If it has a chance of forking the plot, revealing a danger, or giving out a reward - roll.
While you're at it, support the old-school 'investigative play' method whenever you can. If a character pulls the drawer out, and the player is smart enough to have the character check the bottom of the drawer for an envelope taped to it - give it to them without a roll! That experimentation and creative play should be encouraged, and the dice left on the table to be used for the important stuff.
Lots of game design goodness today, and a whole lot of thoughts to put in the game when the search rules are written out. You will see these come up in the game when we put out the beta, so you shall see these subjects again. In a way, these thoughts apply to many of the skill rolls in the game, so this is quite an important discussion, and gives the game a unique flavor (based on design). Hopefully, this makes you think about when you (as a a referee) call for a search roll, and supporting creative play.
Friday, July 5, 2013
Reaper Minis Kickstarter
Yeah, take this as an official announcement of our fantasy rules. We will need a rules system to handle all of these, the ultimate BYOB miniatures fantasy roleplaying game. What better way to kick this off than with a 15-pound box of plastic figures.
Yes, we are still counting.
Tuesday, June 25, 2013
The Whiff Factor
In D&D, with an AC system that directly ties into to-hits, this is very pronounced. D&D4 had a system where level directly ties into the to-hit system; and it was very difficult to get hits in, especially if your equipment was not up to the level you were at, or if the monsters were 4 or more levels above you.
We struck a middle ground, keeping whiffs high, but you can mitigate this and get a better to-hit through positioning. They aren't as high as beginning D&D, an average low level character has a closer to 40-55% chance to hit, which feels right. Armor does not subtract from to-hits, but there is a chance a blow that lands will cause little or no damage if the target's armor is high enough.
An important note, and one we found is a necessity. All spells and powers require a to-hit, even beneficial party spells such as buffs and heals. Players used to modern MMOs and RPGs may find this strange, since beneficial spells are assumed to auto-hit. This is controversial, but needed for two reasons.
- This raises the importance of a character's casting skill
- This prevents deadlocks in combat
Monsters that have healing powers also need to roll for them, in play testing, we found a goblin healer in the back ranks could tie up the combat for a long time by spamming heals. Putting an uncertain factor if the heal would land made the combats more fluid, and eliminated the chance for deadlocks and long combats. This is that chaos factor coming into play, and it raises the importance of high-skill healers and casters.
Of course, the chance to cast is affected by referee-set difficulty modifiers, so if you are in the field with no monsters around, a referee could always apply a simple or trivial modifier to the casting roll, since there is no pressure to cast the spell quickly and without someone trying to kill your character. In combat, things change, and caster skill becomes an important factor. Highly skilled mages and healers are important allies, and also formidable foes.
Monday, June 24, 2013
7dRPG Core: Dungeon Playtest I
You do find a lot of little things you forget to write down in these tests, little things you assume but don't write down, and you go through the rules making notes, adding sections, and clarifying rules to be how they were used on the board. Play-tests like these are a cleansing exercise, and they help tighten the game experience. We cleaned up a lot of little strange rules last night, and I will be making changes to the core document today.
One thing we discovered is the importance of non-generic monster designs. We have this concept of 'generic monsters' where you can ballpark a monster based on a generic toughness level. Here, we spun our monsters up as generic characters, and they suffered two problems, being too tough and being too easy. These monsters were very bland as well, with no special skills, powers, or special attacks. Having a system where you can ballpark monsters to get them into a general toughness area is important, but you need to have a power list for them, and also a list of specific designs so you can have monsters with fun attacks and defenses to play with.
We did nearly have a TPK party-wipe on the first play through, our group of three generic spiders were way too strong for our initial 3-person group. We adjusted things a little, but kept the strong monsters because we like the lower-level challenge to be high. If you start out a superhero, you never get that feeling of dramatic improvement when you start getting powers unlocked, and you become a capable fighting machine. In this session, only one character had magic, and the healer did not have any, relying on units of bandages and medical skill to keep the front line fighters alive. Cool stuff, and it gives you a really good benchmark to start from once your healing magic kicks in.
Some of the assumptions you make in your initial design will be 100% wrong when you play it on the board, and we encountered this as well for some of the minor fiddly rules. You will sit there and write one thing, play it, and the obvious answer will be right there. You can't be too attached to a special rule, and you always need to be willing to throw rules overboard if they just slow down or confuse play.
Oh yes, those are D&D Dungeon Command tiles with Pathfinder minis on them, along with some of our painted metal ones. Those dice are just incredible too, George's set of clears he just loves because they sparkle under the light. We throw together bits of random games to make ours, we do follow a BYOB styles of mash-up when it comes to tabletop gaming, and believe the tabletop game you play should support whatever random figures and bits you have at your house.
If you have a party of 4 metal figures, a pack of skeletons, and a container of plastic spiders and ants, you should be able to play games with those pieces, make things up, and enjoy yourself without needing hundreds of dollars of 'official' figures and playing pieces. You should be able to mod those pieces to higher-level or specialized units, should your characters get experience and level-up. It's part of the reason our games have such a strong design and creation element to them, we are 100% believers in supporting your creativity and the playing pieces you have.
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